EnigmA Amiga Run 1997 July/EnigmA AMIGA RUN 20 (1997)(G.R. Edizioni)(IT)[!][issue 1997-07 & 08][EAR-CD IV].iso/lightwave/lwmlist/96.lightwave-0208/[e-mail] _Thu Dec 14 03:14:18 1995.msg

Internet Message Format | 1995-12-14 | 2KB

Received: from relay3.UU.NET (relay3.UU.NET [192.48.96.8]) by keeper.albany.net (8.7.1/8.7.1) with ESMTP id DAA04987 for <[e-mail]>; Thu, 14 Dec 1995 03:14:17 -0500 (EST)
Received: from garcia.com by relay3.UU.NET with SMTP
    id QQzuay12471; Thu, 14 Dec 1995 03:10:59 -0500 (EST)
Received: from  (localhost) by garcia.com (5.x/SMI-SVR4)
    id AA07579; Thu, 14 Dec 1995 03:11:26 -0500
Date: Thu, 14 Dec 1995 03:11:26 -0500
Errors-To: [e-mail]
Message-Id: <Pine.3.89.9512140112.E8801-0100000@queen>
Errors-To: [e-mail]
Reply-To: [e-mail]
Originator: [e-mail]
Sender: [e-mail]
Precedence: bulk
From: Scott Burton <[e-mail]>
To: Multiple recipients of list <[e-mail]>
Subject: Re: What rights do/should arists have?
X-Listprocessor-Version: 6.0c -- ListProcessor by Anastasios Kotsikonas
Status: RO
X-Status:

> Marc Rifkin - Scala, Inc. ([e-mail])
> Tue, 12 Dec 1995 13:37:33 -0800
>
> > For those of you out there working as animators for a company, what kinds
> > of arrangements do you have as far as rights over your work, and
> > compensation (salary/royalty/percentage)?

Any work you produce for the company/studio is their property. Unless you
have some other arrangment which I suspect is very rare.  It may be
different however if you were to say create an original character, but
for the most part you are being paid to do the work.  That payment makes
your work the companys property.

Scott Burton - Lightwave Moderator - Command Line BBS
[e-mail]          [phone]